I have a little story in a short story collection called, “Dead
Things.” It can be found in THE GATE 2: 13 Tales of Isolation and Despair, which was edited by the fantastic Robert J.
Duperre. I wrote a little bit about how the story came about at the very end,
but thought I’d go into a little more detail in this blog.
When I started out writing at a very young age, I had this
idea in my head that I’d write thrillers, action/suspense novels, horror
novels, and so on. My early writing sucked because I was always trying to come
up with over complicated plots. I was good at fleshing out characters, and I
was really good at writing dialogue. But when I would try to come up with a
story idea, I’d always fall flat because I was thinking too much about the
plot. I started a lot of stories and never ended up finishing most of them.
Things changed at college when I was introduced to Raymond
Carver. I remember when we first started reading his stories, I was completely
baffled. At first, the ending felt abrupt and I couldn’t see much of a plot.
But the stories stuck with me and the more I read, the more I fell in love. As
I read more of his stories, I said to myself, “These are the stories I want to
write.” You didn’t have to have a complex plot. You needed characters that
seemed real. They could be flawed as hell, but so long as you made them
interesting enough for the reader, you were set.
I think that’s when my writing really started to take shape.
I was no longer bogged down by plots that didn’t work out. I simply wrote about
everyday issues with everyday people. Most of the stories were sad. Many of
them didn’t offer happy endings. Yet, they seemed to work.
Jump ahead a few years and not only am I writing
slice-of-life fiction, but I also find out that I can write dark humor and
horror in a form called “drabbles,” which are 100-word short stories. I had a
lot of fun with the drabbles, but I also needed a break from them so I could
focus on my true love, which is slice-of-life fiction.
I wrote this story a few months back before Rob contacted me
and asked if I wanted to be a part of his collection. It was originally called,
“Childish Matters,” although truth be told, I was never completely happy with
the title at the time. That first title just came about because of a
conversation that takes place between a father and his son when they’re talking
about an old lady neighbor who is losing her mind. I’d read a story about a
woman who wasn’t all there in the
head beforehand, and I thought it’d be fun to write a character like that in a
story. I knew she wouldn’t be the main character, nor would she be the main
focus of the story. But it was a starting point. It started off in my head as
an old woman knocking on her neighbor’s door, screaming about zombies.
Then the story focuses on the father and his son. The wife
is no longer in the picture. At first, I wasn’t sure why. I just thought that
maybe she wasn’t ready to be a mother and just walked out forever. I also knew
that these so-called zombies that the old woman was screaming about were
actually stoned teenagers on a playground.
And then it hit me; what if the father’s wife ended up
becoming a drug addict? When I realized that, that’s when it made seeing the
drugged-out teenagers even more powerful to me. It had a more devastating
effect.
And that’s how the story came to be.
So when Rob asked me to be a part of the short story
collection, I was trying to come up with some really complicated horror story.
Again, going back to when I was little.
Bad, bad Mikey.
He told me I should focus on what I do best, and that’s
slice-of-life. It didn’t have to be a horror story, so long as it fit the theme
of the collection, which was “isolation” and “despair.” I told him I had this story
that I finished not too long ago. He told me to send it over, so I did.
He loved it. He really, really loved it. And that was a huge
compliment, because I really do think it might be one of the best stories I’ve
written so far.
Rob fine tuned the story here and there, as editors do. I
was happy to see that he didn’t think it needed any major changes, although I
was prepared to have an open mind in case if changes needed to be made.
One change he made was the title. He also extended the
ending just a little bit, while still staying true to the very last scene I had
in my head. When he told me the new title, I fell in love with it. As I said, I
was never happy with “Childish Matters,” but at the time that was the best I
could do.
“Dead Things” is a much different story for me. While it
helped me return to writing what I love, it was a bit different from what I
normally write. Usually, my stories are very depressing and don’t offer happy
endings for the characters. And while this story is indeed bleak and sad, it
does offer a very touching moment. While there are no sure answers as to what
would happen in the future, there was a little light at the end of the tunnel
and it didn’t end as a downer.
I wouldn’t have it
end any other way.
